WORKS

STAGE WORK

La selva interior (The Jungle Within)
    Imaginary opera for ensemble of ten instruments, six singers and prerecorded sounds, (2006-2010) 60’

RADIO OPERA

De qué modo en lo anónimo
    Radio opera, (2002) 30'.  Based on a text by Juan José Saer.

ENSEMBLE, 10 to 24 INSTRUMENTS

Tetexcalhuiliztli
    for 14 musicians, (2017) 16'

Notturno Stuttgart
    for 19 instruments, (2012) 40'

Para el encuentro en los abismos
    for 24 musicians, (2003) 20’

¿Qué se llama cuanto heriza nos? 
    for 10 instruments, (2001) 16'

Bocanada elíptica (Elliptic Blast)
    for 15 instruments, (2000) 9'

Suspended Moieties
    for string orchestra, piano, and four percussionists, (1995) 10'

ENSEMBLE, 5 to 9 INSTRUMENTS

Von Ungeträumtem) geätzt
    for Brass Quintet (2017) 22'

Luminous Emptiness
    for seven musicians (2012) 75'

Estruendomudo (Thunderdumb)
    for amplified horn, trp, trb, didjeridoo, perc, and electronics, (2000) 10'

Heterofonías
    for five contrabass clarinets, (2009) 13'

Continuación de la Nada
    for clarinet, violin, viola, cello and piano, (2008) 10’

Nada, nada
    for eight amplified flutes, (2002) 12’

Resplandecencias de la nada
    for seven instruments, (2002) 13'

El ir a qué con meta,
    for 9 instruments, (1999) 12'

Pulso herido (Wounded Pulse)
    for flute, oboe, clarinet, bassoon, and piano, (1996) 10'

Unwind Time
    for flute, violin, cello, piano, harp and two percussionists (1994) 10’

DUETS, TRIOS & QUARTETS

Cuatro conciencias 
    for string quartet (2016) 11'

Dos miradas fugaces a la noche
    for two bassoons (2012) 5'

Notturno
    for four (or any number) musicians, (2010) 20’

Logomaquia
    for trumpet, trombone, tuba, percussion and tape. Text by Nora Iuga, (2009) 14’

En la más ardua oscuridad  
    for bass clarinet, cello and piano, (2009) 7’

Geometrías fugitivas (Fleeting Geometries) 
    for bass clarinet, cello, and piano, (1998) 8'

Capas remotas II (Remote Layers II)
    for two flutes and percussion, (2015) 16'

Qualia IB
    for two violas, cello and tape (2011) 22'

Capas remotas (Remote Layers)
    for flute and percussion, (1996) 20'

Como astros...arde 
    for three flutes, (1995) 12'

Siete susurros desiguales
    for bass clarinet, cello, and horn, (1994) 12’

SOLO WORKS

Unterschrift
for solo piano (2019) 9’

Music for Japan
for prepared guitar (Koto-Guitar) (2019) 16’

Cartografía del viento
for flute and prerecorded flutes (2018) 7’

...while the glossy Tatarmoon climbed up to us 
    for solo soprano saxo and prerecorded sounds (2016) 11'

Entrañas/Descentros 
    for bass clarinet and prerecorded sounds (2015) 12'

..a presentes más anchos 
    for solo violin, (2015) 13'

Estaciones 
    for 12 prerecorded flutes, (2014) 15'

Lo fugaz perpetuo 
    for solo alto flute (2014) 7’

60!!!
    for solo flute (2011) 4'

Qualia I
    for solo viola and tape (2011) 18'

Qualia II
    for bassoon and prerecorded sounds (2012) 8’

Agonía Grave
    for solo bass voice playing a double bass. New section of  La selva interior, (2009) 3’

Brut Nature
    for solo baritone saxophone (2009) 9’

Polifonía concreta
    for solo amplified bass flute (2008) 6'

Ondulaciones del ahora
    for solo cello, (2007) 15’

Bibliografía del silencio
    for solo bass flute and prerecorded flutes, (2003) 7’

Las soledades mudas del mundo (The Silent Solitude of the World)
    for amplified trumpet, (2000) 8'

Aliento/Arrugas (Breath/Furrows)
    for solo flute, (1998) 5'

VOCAL OR CHORAL MUSIC

En la impenetrable maraña de lo no nombrado
    for 24 voices, (2010) 15’

Three Works for 6 Voices
    New sections of the work La selva interior, (2009) 15’.

Rezongos (Grumbles)
    for wind quintet, piano, eight voices, and bandoneon. Text by John Cage,  (1998) 8'

ELECTROACOUSTIC MUSIC

La cabeza de Goliat
    for solo violin, (2008) 4’

Amarillo rabioso (Rabid Yellow)
    electroacoustic music, (1998) 6'

2019

Unterschrift
for solo piano, 9’

Music for Japan
for prepared guitar (Koto-Guitar), 16’

2018

Cartografía del viento
for flute and prerecorded flutes, 7’

2017

Tetexcalhuiliztli
    for 14 musicians, 16'

(Von Ungeträumtem) geätzt
    for Brass Quintet, 22'

2016

Cuatro conciencias 
    for string quartet, 11'

...while the glossy Tatarmoon climbed up to us 
    for solo soprano saxo and prerecorded sounds, 11'

2015

Entrañas/Descentros 
    for bass clarinet and prerecorded sounds, 12'

...a presentes más anchos 
    for solo violin, 13'

Capas remotas II (Remote Layers II)
    for two flutes and percussion, 16'

2014

Estaciones 
    for 12 prerecorded flutes, 15'

Lo fugaz perpetuo 
    for solo alto flute, 7’

2012

Luminous Emptiness
     for seven musicians, 75’

Notturno Stuttgart 
    for 19 instruments, 40’

Dos miradas fugaces a la noche
    for two bassoons, 5’

 Qualia II
    for bassoon and prerecorded sounds, 8’

 2011

60!!!
    for solo flute, 4’

Qualia IB
    for two violas, cello and tape, 22'

 Qualia I
    for solo viola and tape, 18'

2010

Notturno
    for four musicians, 20’

En la impenetrable maraña de lo no nombrado
    for 24 voices, 15’

2009

En la más ardua oscuridad  
     for bass clarinet, cello and piano, 7’

Logomaquia
    for trumpet, trombone, tuba, percussion and tape. Text by Nora Iuga, 14’.

Heterofonías
    for five contrabass clarinets, 13'

Three Works for 6 Voices
    New sections of the work La selva interior, 15’.

Agonía Grave
    for solo bass voice playing a double bass. New section of  La selva interior, 3’

Brut Nature
    for solo baritone saxophone, 9’

2008

Continuación de la Nada
    for clarinet, violin, viola, cello and piano, 10’

La cabeza de Goliat
    electroacoustic, 4’

Polifonía concreta
    for solo amplified bass flute, 6'

2007

Ondulaciones del ahora
    for solo cello, 15’

2006

La selva interior (The Jungle Within)
    Opera for ensemble of ten instruments, soprano and prerecorded sounds, 60’

2003

Para el encuentro en los abismos
    for 24 musicians, 20’

Bibliografía del silencio
    for solo bass flute and prerecorded flutes, 7’

2002

De qué modo en lo anónimo
    Radio opera, 30'.  Based on a text by Juan José Saer.

Nada, nada
    for eight amplified flutes, 12’

Resplandecencias de la nada
    for seven instruments, 13'

2001

¿Qué se llama cuanto heriza nos? 
    for 10 instruments, 16'

2000

Estruendomudo (Thunderdumb)
    for amplified horn, trp, trb, didjeridoo, perc, and electronics, 10'

Bocanada elíptica (Elliptic Blast)
    for 15 instruments, 9'

Las soledades mudas del mundo (The Silent Solitude of the World)
    for amplified trumpet, 8'

1999

El ir a qué con meta,
    for 9 instruments, 12'

1998

Aliento /Arrugas (Breath/Furrows)
    for solo flute, 5'

Geometrías fugitivas (Fleeting Geometries) 
    for bass clarinet, cello, and piano, 8'

Rezongos (Grumbles)
    for wind quintet, piano, eight voices, and bandoneon. Text by John Cage,  8'

Amarillo rabioso (Rabid Yellow)
    electroacoustic music, 6'

1996

Pulso herido (Wounded Pulse)
    for flute, oboe, clarinet, bassoon, and piano, 10'

Capas remotas (Remote Layers)
    for flute and percussion, 20'

1995

Suspended Moieties
    for string orchestra, piano, and four percussionists, 10'

Como astros ... arde 
     for three flutes, 12'

1994

Unwind Time
    for flute, violin, cello, piano, harp and two percussionists, 10’

Siete susurros desiguales
    for bass clarinet, cello, and horn, 12’